Do you still laugh sometimes? Do you know how to lose yourself completely all over again in a moment of elemental joy—because of a view of houses, a human atmosphere, a song, a bit of landscape, a piece of film: in short a piece of good warm life? It’s something I love so much in you.
[Simone Weil, from a letter to Albertine Thévenon]

This is the third section in Chesterton’s poem “Variations on an Air,” which is first a parody of Tennyson, then of Yeats, and then of Whitman:

Me clairvoyant,
Me conscious of you, old camarado,
Needing no telescope, lorgnette, field-glass, opera-glass, myopic pince-nez,
Me piercing two thousand years with eye naked and not ashamed;
The crown cannot hide you from me,
Musty old feudal-heraldic trappings cannot hide you from me,
I perceive that you drink.
(I am drinking with you. I am as drunk as you are.)
I see you are inhaling tobacco, puffing, smoking, spitting
(I do not object to your spitting),
You prophetic of American largeness,
You anticipating the broad masculine manners of these States;
I see in you also there are movements, tremors, tears, desire for the melodious,
I salute your three violinists, endlessly making vibrations,
Rigid, relentless, capable of going on for ever;
They play my accompaniment; but I shall take no notice of any accompaniment
I myself am a complete orchestra.
So long.