It is so self-conscious, so apparently moral, simply to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright.
[Annie Dillard]

This is the first paragraph of a chapter sent to me by Karl Johnson, of the Chesterton House in Ithaca, NY. It is full of Chesterton’s large and sweeping delights and denunciations, and of his plain old good fun — which shows even in the title of the book from which it comes: Alarms and Discursions.

My forthcoming work in five volumes, “The Neglect of Cheese in European Literature,” is a work of such unprecedented and laborious detail that it is doubtful if I shall live to finish it. Some overflowings from such a fountain of information may therefore be permitted to sprinkle these pages. I cannot yet wholly explain the neglect to which I refer. Poets have been mysteriously silent on the subject of cheese. Virgil, if I remember right, refers to it several times, but with too much Roman restraint. He does not let himself go on cheese. The only other poet I can think of just now who seems to have had some sensibility on the point was the nameless author of the nursery rhyme which says: “If all the trees were bread and cheese”–which is, indeed a rich and gigantic vision of the higher gluttony. If all the trees were bread and cheese there would be considerable deforestation in any part of England where I was living. Wild and wide woodlands would reel and fade before me as rapidly as they ran after Orpheus. Except Virgil and this anonymous rhymer, I can recall no verse about cheese. Yet it has every quality which we require in exalted poetry. It is a short, strong word; it rhymes to “breeze” and “seas” (an essential point); that it is emphatic in sound is admitted even by the civilization of the modern cities. For their citizens, with no apparent intention except emphasis, will often say, “Cheese it!” or even “Quite the cheese.” The substance itself is imaginative. It is ancient–sometimes in the individual case, always in the type and custom. It is simple, being directly derived from milk, which is one of the ancestral drinks, not lightly to be corrupted with soda-water. You know, I hope (though I myself have only just thought of it), that the four rivers of Eden were milk, water, wine, and ale. Aerated waters only appeared after the Fall.

(By the last line, I think he means that sparkling water is an inferior, non-Edenic drink.)